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Showing posts with label Colonial historic interiors. Show all posts
Showing posts with label Colonial historic interiors. Show all posts

Tuesday, April 6, 2010

A kitchen full of memories

“A the symbolic center of the home, the kitchen gives meaning to family life. It is a place where parents nurture their children, families gather at breakfast and dinner, share chores, and discuss the world outside. Women especially see it as the space that connects them to past generations.”

“America’s Kitchen”, Nancy Carlisle and Melinda Talbot Nasrdinov

I visit many historic homes and museums and most of them have restored kitchens set up as they would have been, depicting whatever period and station in life of the family represented. As I look over the exhibit I often think about who the family was that lived in this house, what were they concerned with, how old and how many were their children, did they even have any children? What stories would they tell to us if we had the ability to hear the conversations around that kitchen table.

I think I feel this so personally because of my own history of growing up in two historic houses with great kitchens that were the center of life for our large family.

So many of our memories are centered in the kitchen---coming together to celebrate or simply being together around a convivial meal is the stuff that gets us through tough times. All families have their own styles, but the kitchen is where most family traditions begin. Whether it is a favorite requested meal your mom made for you on your birthday or when you get home after a really bad day the crockpot is there on the counter holding something ready for dinner---you hold on to the traditions that worked personally for you, and discard the rest.

I am from a family that does EVERYTHING around food. We use it to celebrate and comfort. Coming from a large family of seven, I think that because our mother had to come up with inexpensive, hearty meals that fed five children with leftovers my mother (we called her “Moo”) would cook with an eye toward something that we would eat with the least amount of fuss. It also would have to be reincarnated into something that could stretch to another meal or lunch for us. We lived in a very old (1780) house that had a huge hearth, and though it could probably still be used for a fire, had an electric range placed inside.

My earliest memories are seeing my mother stir something on the stove with another baby on her hip and no doubt one underfoot. Even at the age of 38 she had very gray hair, which she wore in a bun at the nape of her neck. Being a poor professor’s wife gave her nothing to spend on glamour, yet I don’t remember that she looked anything but beautiful as she bustled about our small house cleaning, doing the wash in the FREEZING root cellar with a wringer washer, or hanging the sheets out on the line. To this day, sheets that are devoid of the scents of added softeners ---that just have the scent of the clean air are sooo sweet, and I much prefer them even though they are “scratchy.”

We had simple celebrations and our birthdays were centered on my parents putting penny candy in a brown bag and hanging it from the branches of our apple tree. We screeched and yelled in excitement as the birthday boy or girl got the first crack at the swinging bag with a cutoff broom stick.

Even when my father was lost in a car accident in the early ‘70s, the atmosphere about the large house (we moved to a very large house in Shepherdstown eight years earlier) was still much like a party instead of a wake. My dad had a great sense of humor and was very witty and the house murmured that day with his friends and students retelling many stories about him. The dining room had many beautiful stained glass windows, and I remember the look of the sun shining through them onto the large dining table gleaming with all the dishes the neighbors brought---all given in love and kindness in the tradition I grew up with.

Many more stories could be told of all the celebrations that my family has had over the years and the meals now are even more important to us as we gather without our beloved parents. Right before Moo died we were blessed to have her live with us and one evening her nurse wheeled her into the kitchen to sit and watch me make dinner. She loved to watch me cook, a pastime she missed very much, and she did not hesitate to let me know that I should “turn down the fire under the chicken” or add more seasonings to whatever I was cooking. This particular evening I remember (in retrospect it turned out it was right before she died ), she sat watching me move around the stove and suddenly she loudly called to me raising her glass with her nightly drink, and said, “Louise, do you know what the great thing about being terminal is?” Puzzled and a little horrified I responded “No, Moo what is it?” She threw back her head and laughed heartily saying, “The great thing about being terminal is that your green vegetable for the day can be the olive in your martini!” Her nurse slid out of her chair laughing and through my watering eyes Moo never looked more gorgeous.

She soon quietly died in her small little room filled with windows and sun and we still call our family room “Moo’s room,” but the kitchen is where I remember her the most and on a regular basis I wish that I could “channel” her grace and kindness that she showed to everyone she met, and her ability to make any leftover into a meal fit for kings or more importantly her beloved children.

As I have often mentioned, your historic house has had many memories formed within its walls. You really need to be aware that you have the opportunity to make memories with your children, friends and family. To this day, I cannot get myself to paint over the Doxology a friend painted for me in the kitchen after Moo died. My friend had performed a really profound act of kindness and comfort for my 45th birthday by painting this around the ceiling of the eating space in my kitchen. She was inspired by hearing me say that I was reluctant to attend church because I could not seem to get through the offering without crying as I had such a vivid memory of my mother in church, and for some reason the opening bars of the Doxology always made her seem so close. So one day I came home to find this beautiful hymn painted around the perimeter of the kitchen eating area, and now everyday Moo is there at my table.

Make your own families memories in your kitchen. Now more than ever, our families need to connect in a space that binds them with memories and traditions that are part of their family’s customs and history.

Wednesday, March 24, 2010

Take a moment and visit Thistledew Mercantile



There are many great things about this job but one of the best is finding wonderful artisans who are revitalizing the art of the past with talent and innovation. I am so proud to announce a new “Feature Artisan” to the site.

Thistledew Merchantile is a lovely site that sells the historic scissor art by Kim Frey. One of the 2009 artisans featured in the Directory of Early American Craftsman that is published by Early American Life magazine (another one of our favorites) Kim is a very talented addition to our growing list of American Craftsman.

Since 1990, the Freys’ artwork has been shown at local Art Leagues, in traveling exhibits with the Guild of American Papercutters, in special exhibits with Delaware State Museums, and in museum and gift shops across the country. Thistledew Merchantile can produce the “very thing” for your gift list and is a wonderful historical addition to any historic house museum’s gift shop.

The site features the following historic scissor art genres-

Scherenschnitte...

…a Pennsylvania German folk craft, literally meaning “scissors snipping.” Scherenschnitte was used to create Valentines, Christmas tree ornaments, cake stencils, artwork for the home, and shelf decorations.



Fraktur…

…an artistic form of important documents such as birth, baptismal, and wedding records. Fraktur were also given as rewards of merit for good students, house blessings, and bookplates.

Silhouettes…

…sometimes called “shades” or “shadows,” silhouettes were the common man’s portrait before modern photography was invented

The Freys live in Delaware with their daughter Katelyn, two goats, a whole bunch of chickens, and Oreo the cat. (Daughter Jordan, son-in-law Luke, and grandboys Jackson and Derik are staking a claim way out west!) Their artwork…and often the Freys themselves…can be seen in person at Hudson’s General Store, in Clarksville, Delaware

I urge you to take a moment and visit this site it is truly a new american treasure.

thistledewmercantile.com

Tuesday, October 20, 2009

Tribute to Small Museums



When I was a little girl, my mother took me to our local small museum which was in the basement of the local library. We walked down the aisles filled with the odd assortment of objets and memorabilia that are often displayed in such museums. We stopped in front of a large case, that had a woven coverlet draped in such a way, so the viewer would have the best look at it they could in the the small space it was consigned to. I remember my mom saying something like ” President Van Buren gave your Great,great, great grandfather this as a present, they were very good friends”. Now, this sparked two reactions in my young mind. That’s a lot of GREATS, and he must not have liked him that much cause that is one UGLY spread. The point of this little story is that had it not been for that small museum in that little town in West Virginia, I would have never gotten to see something that was a real link to the past, to MY past. I have, as do my ancestors, a small museum to thank for that.
There are people all over this country that have visited like museums and seen the proof of their ancestry on display , conserved , at various levels of expertise I’ll give you, but saved nonetheless . They walk through the doors and there is Uncle Joe’s WWI helmet and the letters filled with longing he sent home to his wife. Or the glove and parasol of someone you vaguely knew you are related too and as soon as you see it you are again determined to call your Great Aunt and not only ask those questions about the family you always wanted but you are also going to WRITE IT down. Thus a family written history is born.
We have the small museum director , its board, or if really lucky a curator to thank for this…They are dedicated professionals who work with little or no budjets and constantly fiight to preserve the tangible bits of our history that otherwise would just slip away. I recently attended the annual Small Museum Conference and observed some of the most talented and educated people in this profession grapple with the new challenges this economy has given them. Luckily for all of us, I heard enthusiasm and excitement from most, if not all of them that I spoke to. They remain focused, dedicated and determined to recommit, rethink and even redesign the small museums that we as the public entrust to their care. Please support you local small museum or local historical society, they are supporting you everyday in preserving our shared history.
Visit the Culpeper Museum of History. www.Culpepermuseum.com
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Tuesday, March 10, 2009

Early Colonial American Period

Early Colonial American-1620-1790

The Early Colonial American style originated around 1620 and endured until the 1790's. With the settling of Jamestown, Virginia (1607), and Plymouth Massachusetts (1620), these settlers sought to create reminders of the homes and comforts that they had left behind. Because this "New World" hadn't been settled, there was no established trade, limited tools, and very little skilled craftsmen, styles became inventive and original. The peasant looking homes eventually developed into the saltbox shapes which came to be known as the Cape Cod house.
The interiors of this period showed how the settler’s attention was first centered on survival not on the decoration of their living spaces. As they became more prosperous and secure in their environment, trade was established and the class structure settled in, the homes then reflected each occupants situation. A plan for instituting this period's style in your home would be to keep the lines of your furniture very angular and simple, some of the furniture of this period had folk painting but most furniture was very plain. Wall color was not often used as pigment was very costly at this time so most homes were without paint and only a coat of whitewash was applied to the walls. The windows were usually deep set and if they had glass, it was thick and really not very good at reflecting light into the interior of the room. Textiles were also simple and made of flax which was sometimes embroidered with images of animals or flowers. Flooring was wood with rugs rarely used to trod on, instead they often were displayed on tables as a valuable and prized possession. For resources for your Early American interior or for Historic House Museums of this period please go to www.thehistoricinterior.com